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ENERGY RADIO Energy Radio - Hit Music Only
London music lovers are getting a new place to sit down and listen. Spiritland opens at the Barbican on Tuesday 20 October, bringing its listening-bar concept to the arts centre’s Level 2 Lakeside Room. The residency will run until July 2027, giving the capital another destination where recorded music is the main attraction.
The Barbican’s venue announcement describes a programme spanning jazz, soul, classical and ambient music, played through a new Living Voice sound system. A daily album session is scheduled for 5pm. Drinks, bar snacks and weekend brunch will accompany the listening, with the room looking out over the lakeside and fountains.

Spiritland’s opening announcement gives the first week a clear musical personality. Founder Paul Noble launches the programme on 20 October. Mari*, associated with Gondwana Records, follows on 21 October with a selection focused on spiritual jazz and downtempo sounds. DJ, writer and music historian Bill Brewster takes over on 22 October.
Pete Herbert is listed for 23 October, bringing a background that moves between disco, Balearic sounds, house and downtempo. Dan Mela follows on 24 October with an experimental approach to mixing genres. The range is useful for anyone choosing a first visit: the room may remain the same, but the music will depend on the selector and the programme that day.
The operator also plans talks, tastings and supper clubs. Those additions suggest a venue that can work for more than one kind of evening, from an after-work listen to a longer conversation around music. Individual events should be checked against the published programme, particularly where reservations or separate arrangements apply.
In a Dunhill interview, Paul Noble traced the idea to visits to Japanese listening bars. What appealed was the care given to recorded music and the equipment used to play it. His London interpretation aimed for a broader musical range that reflected the city’s own DJ culture.
The project began as a pop-up at Angela Hartnett’s restaurant in Shoreditch before opening a dedicated King’s Cross space in 2016. That history helps explain why the Barbican partnership feels like a continuation of an established idea. The central proposition is straightforward: a record played with attention, in a room designed to make listening part of a shared night out.
A King’s Cross account of the area’s clubbing history places the original Stable Street venue alongside memories of Bagley’s and The Cross. Those connections give Spiritland a place within a wider London music story, rather than treating high-quality playback as an isolated hobby. The surrounding neighbourhood has changed, but the appeal of discovering records with other people remains familiar.
The 5pm album session is the detail that stands out for us. A playlist invites constant movement between artists; an album asks for a little more patience. Hearing the sequence together can make transitions, quieter tracks and changes of mood easier to notice. It is also an accessible way to try something unfamiliar without needing to own specialist equipment or already know the catalogue.
This is a preview of the announced opening, not a review of the sound or service. The real test will come when people settle into the room. For a first visit, it makes sense to choose a selector whose interests appeal, arrive with enough time to listen, and leave some space for a record you would not normally pick yourself.
The published hours are Tuesday to Friday, 4pm–11pm; Saturday, noon–11pm; and Sunday, noon–7pm. The address is the Barbican Centre, Silk Street, London EC2Y 8DS, with the bar on Level 2. The venue page links to reservations and the live-events programme. Check those details before travelling, especially if planning to attend a particular session.
For photographs, programme updates and a closer look at the setting, follow the Barbican Centre on Instagram. With the opening just days away, the new room gives Londoners a fresh answer to a simple question: where can you go out and make the music itself the occasion?
Written by: Energy Radio UK
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